Final test writing III (Tendis eka cahya)
Classification and definition
WAYANG GOLEK
Wayang goler are one of Sundanese tribal arts, this art is a wooden puppet show that has many characters, in its performance this art always convey a very important moral message especially containing religious message (islam). Initially this art performances only exist in a large event of the Sundanese tribe, but over the development of wayang golek era used for wedding entertainment, class increase and others. This art is very loved by the Sundanese people because the presentation is very funny and easy to receive by the community so as to bring its own attraction for the public, wayang golek played by a puppeteer, puppeteer is the person behind the stage that moves the puppet and fill more from twelve different voices. In wayang golek there are some interesting things that are very important to know, the history of wayang golek, the development of wayang golek, wayang golek as a medium of entertainment, the story in wayang golek, famous wayang golek, various puppet figures, puppeteer role in wayang golek , the famous puppeteer.
History of wayang golek at the beginning of its emergence, puppet art was born and developed in the northern coastal area of Java island at the beginning of the 17th century where the oldest Islamic kingdom in Java grow there, using Sundadalam language dialogue. According to a growing legend, Sunan Kudus used this early form of wayang golek to spread Islam in society. Sundanese wayang golek art is thought to have begun to develop in West Java during the expansion of the Mataram Sultanate in the 17th century, although in fact some Hindu cultural heritage still survives in several places in West Java as a former territory of Sunda Pajajaran Kingdom.
History of the development of wayang golek, this one art very fast development Because it adapts to the thinking of the modern people with so the community did not feel bored with his performances. Puppet puppets are now more dominant as the performing arts of the people, which have functions relevant to the needs of the community environment, both spiritual and material needs. Such things can be seen from some activities in the community for example when there is a celebration, whether the celebration (party kenduri) in order khitanan, marriage and others sometimes bersinging with puppet show. Now apart from being a theater form of wayang puppet art, wayang golek crafts are also often used as souvenirs by tourists.
Wayang golek as entertainment, from its simple presentation and entertaining this arts are many in show as a symbol of joy and for the entertainment of society. In its era, Sundanese wayang puppet performance in ordinary society is done at the request of the residents as entertainment when the wedding event, or circumcision, or on certain events as a form of fun, as in the celebration of the national day of the seventeenth of August dlsb. In a performance, puppeteers always bring a story from the world of puppets with the theme of life conflicts that occurred in antiquity are sometimes associated with today. Sundanese culture is using the characters and the story as well as mahabarata It is clearly seen from the names of puppet characters like Krisna, Bima, Arjuna, etc., also the names of the royal places where the incident is always an interesting story from time to time such as Negeri Hastina Pura, and a place of war known as Kuruseta. Nevertheless, the story of Sundanese puppet show is much adapted to the stories that developed in the society. Apart from that all the wayang golek in the area of Pasundan in the 1970s to there is a spectacle of entertainment that is very popular by the people of West Java. In addition to the style of the presentation of a compelling story, so good to be listened to, also when the entertainment is very rare. It is not surprising if there is a wayang golek show, though not advertised commercially, but word of mouth advertisement, spreading faster, to penetrate into distant villages.
The story on wayang golek show is full of rich words with deep meaning to be a reflection. That is also one of the reasons why wayang golek is favored by the elderly. Even for young people who initially just for fun because they want entertainment, many also turned into addict puppet show, because may be interested in the philosophy he heard. Wayang golek can also be used as a means of enlightenment of things that need to be submitted to the wider community. For fans, the wayang is not just a spectacle that adapts to the story plays are always played with a thorough, wayang is also widely used as symbols of human character. No wonder if each individual fans can conclude the puppet character with their respective conclusions. I was so animated that the fans like to idolize certain puppet characters, especially from the behavior he played when played by ki dalang. Furthermore, wayang is actually a valuable means of cultural education, because in every staging the wayang stories always carry moral messages with the attitude of satria, honest, responsible, loyal, etc., who can defeat the attitude of anger, greed and greed.
As in the staging of the drama or movie puppet show also has some famous yokon as follows Gatot glass, Hanoman, Arjuna, Semar, and Cepot. Gatot glass is a very powerful figure with great strength, and a great martial arts so that he was appointed a commander in pringgadani, both Hanuman is famous for its powerful and deadly blows, then Arjuna is the third child of the goddess kunti, he has a very handsome face so much liked by the women. Next Semar is different from the others he is not magic, and handsome but he has extraordinary wisdom. Last Cepot is the most famous figure daro that has been mentioned is characterized by his humorous, funny, and cheerful character.
Wayang golek has some famous figures that there are four kinds of figures on wayang golek, namely; figure Rahwana (goleknya wear makuta with kluwih sekar model and carvings resembles the carvings of the kingdom of Pajajaran and Mataram with his descendants namely: Suyudana and Dursasana), figure Arjuna (depicts the figure of a true fighter who handsome and courageous - his shirt using urang supit - sekangkatannya like Bima and Gatotkaca), Garuda Mungkur figures (garuda face-to-face with tongue out), figure Bineka Sari (like pine trees arranged upwards like Krishna puppets, Baladewa, Arimbi, Rama and Indra, Kuluk figures, clothing accessories using garuda or sumping there are at Batara puppet teacher, Karna and Kumbangkarna.
Dalang has an important role in the world of puppetry, puppeteer is a director, playwright, a narrator, a character player, composer, a "singer", stylists, dancers and so forth. In conclusion the dalang is someone who has multiple abilities and also a manager, at least a leader in the show for its members (pesinden and pengrawit)
The famous wayang golek puppeteer is Asep Sunarya born on September 3, 1955 in Kampung Jelengkong, Baleendah District, 25 km south of Bandung. Named small Sukana, the seventh child of the thirteen brothers Abah Sunarya's family is also known as the legendanya puppeteer in the land of Pasundan. Asep Sunandar Sunarya is more familiar with the call Asep Sunarya, the puppeteer puppeteer who makes the Cepot. Puppets whose lower jaws can be moved around when talking, can also widen their bows and release arrows, without the help of puppeteers. With his work, he deserves to be said as a breaker in the wayang golek universe in Indonesia. He was praised and criticized for his groundbreaking work. However, the criticism is increasing the spirit and creativity. His tenacity brings results, his name increasingly popular. Especially after Asep achieved champion puppeteer Pinilih I West Java in 1978 and 1982. Then in 1985, he reached the general champion of mastermind of West Java level and brought Bokor Kencana. The statement of his reliability and creativity is not only coming from the people of West Java and Indonesia, but also from abroad. He had been an amazing lecturer at the International Institute De La Marionnete in Charleville France. From the institute he earned his professorship.
The conclusion of the above article is Sundanese art, especially wayang golek has wealth in terms of creativity and intrinsic elements, as the Indonesian people should be proud of his art wealth, especially in the Sundanese tribe with a remarkable art. Stay guard and preserve the local arts because that's the cirikhas that make us different from each other.
WAYANG GOLEK
Wayang goler are one of Sundanese tribal arts, this art is a wooden puppet show that has many characters, in its performance this art always convey a very important moral message especially containing religious message (islam). Initially this art performances only exist in a large event of the Sundanese tribe, but over the development of wayang golek era used for wedding entertainment, class increase and others. This art is very loved by the Sundanese people because the presentation is very funny and easy to receive by the community so as to bring its own attraction for the public, wayang golek played by a puppeteer, puppeteer is the person behind the stage that moves the puppet and fill more from twelve different voices. In wayang golek there are some interesting things that are very important to know, the history of wayang golek, the development of wayang golek, wayang golek as a medium of entertainment, the story in wayang golek, famous wayang golek, various puppet figures, puppeteer role in wayang golek , the famous puppeteer.
History of wayang golek at the beginning of its emergence, puppet art was born and developed in the northern coastal area of Java island at the beginning of the 17th century where the oldest Islamic kingdom in Java grow there, using Sundadalam language dialogue. According to a growing legend, Sunan Kudus used this early form of wayang golek to spread Islam in society. Sundanese wayang golek art is thought to have begun to develop in West Java during the expansion of the Mataram Sultanate in the 17th century, although in fact some Hindu cultural heritage still survives in several places in West Java as a former territory of Sunda Pajajaran Kingdom.
History of the development of wayang golek, this one art very fast development Because it adapts to the thinking of the modern people with so the community did not feel bored with his performances. Puppet puppets are now more dominant as the performing arts of the people, which have functions relevant to the needs of the community environment, both spiritual and material needs. Such things can be seen from some activities in the community for example when there is a celebration, whether the celebration (party kenduri) in order khitanan, marriage and others sometimes bersinging with puppet show. Now apart from being a theater form of wayang puppet art, wayang golek crafts are also often used as souvenirs by tourists.
Wayang golek as entertainment, from its simple presentation and entertaining this arts are many in show as a symbol of joy and for the entertainment of society. In its era, Sundanese wayang puppet performance in ordinary society is done at the request of the residents as entertainment when the wedding event, or circumcision, or on certain events as a form of fun, as in the celebration of the national day of the seventeenth of August dlsb. In a performance, puppeteers always bring a story from the world of puppets with the theme of life conflicts that occurred in antiquity are sometimes associated with today. Sundanese culture is using the characters and the story as well as mahabarata It is clearly seen from the names of puppet characters like Krisna, Bima, Arjuna, etc., also the names of the royal places where the incident is always an interesting story from time to time such as Negeri Hastina Pura, and a place of war known as Kuruseta. Nevertheless, the story of Sundanese puppet show is much adapted to the stories that developed in the society. Apart from that all the wayang golek in the area of Pasundan in the 1970s to there is a spectacle of entertainment that is very popular by the people of West Java. In addition to the style of the presentation of a compelling story, so good to be listened to, also when the entertainment is very rare. It is not surprising if there is a wayang golek show, though not advertised commercially, but word of mouth advertisement, spreading faster, to penetrate into distant villages.
The story on wayang golek show is full of rich words with deep meaning to be a reflection. That is also one of the reasons why wayang golek is favored by the elderly. Even for young people who initially just for fun because they want entertainment, many also turned into addict puppet show, because may be interested in the philosophy he heard. Wayang golek can also be used as a means of enlightenment of things that need to be submitted to the wider community. For fans, the wayang is not just a spectacle that adapts to the story plays are always played with a thorough, wayang is also widely used as symbols of human character. No wonder if each individual fans can conclude the puppet character with their respective conclusions. I was so animated that the fans like to idolize certain puppet characters, especially from the behavior he played when played by ki dalang. Furthermore, wayang is actually a valuable means of cultural education, because in every staging the wayang stories always carry moral messages with the attitude of satria, honest, responsible, loyal, etc., who can defeat the attitude of anger, greed and greed.
As in the staging of the drama or movie puppet show also has some famous yokon as follows Gatot glass, Hanoman, Arjuna, Semar, and Cepot. Gatot glass is a very powerful figure with great strength, and a great martial arts so that he was appointed a commander in pringgadani, both Hanuman is famous for its powerful and deadly blows, then Arjuna is the third child of the goddess kunti, he has a very handsome face so much liked by the women. Next Semar is different from the others he is not magic, and handsome but he has extraordinary wisdom. Last Cepot is the most famous figure daro that has been mentioned is characterized by his humorous, funny, and cheerful character.
Wayang golek has some famous figures that there are four kinds of figures on wayang golek, namely; figure Rahwana (goleknya wear makuta with kluwih sekar model and carvings resembles the carvings of the kingdom of Pajajaran and Mataram with his descendants namely: Suyudana and Dursasana), figure Arjuna (depicts the figure of a true fighter who handsome and courageous - his shirt using urang supit - sekangkatannya like Bima and Gatotkaca), Garuda Mungkur figures (garuda face-to-face with tongue out), figure Bineka Sari (like pine trees arranged upwards like Krishna puppets, Baladewa, Arimbi, Rama and Indra, Kuluk figures, clothing accessories using garuda or sumping there are at Batara puppet teacher, Karna and Kumbangkarna.
Dalang has an important role in the world of puppetry, puppeteer is a director, playwright, a narrator, a character player, composer, a "singer", stylists, dancers and so forth. In conclusion the dalang is someone who has multiple abilities and also a manager, at least a leader in the show for its members (pesinden and pengrawit)
The famous wayang golek puppeteer is Asep Sunarya born on September 3, 1955 in Kampung Jelengkong, Baleendah District, 25 km south of Bandung. Named small Sukana, the seventh child of the thirteen brothers Abah Sunarya's family is also known as the legendanya puppeteer in the land of Pasundan. Asep Sunandar Sunarya is more familiar with the call Asep Sunarya, the puppeteer puppeteer who makes the Cepot. Puppets whose lower jaws can be moved around when talking, can also widen their bows and release arrows, without the help of puppeteers. With his work, he deserves to be said as a breaker in the wayang golek universe in Indonesia. He was praised and criticized for his groundbreaking work. However, the criticism is increasing the spirit and creativity. His tenacity brings results, his name increasingly popular. Especially after Asep achieved champion puppeteer Pinilih I West Java in 1978 and 1982. Then in 1985, he reached the general champion of mastermind of West Java level and brought Bokor Kencana. The statement of his reliability and creativity is not only coming from the people of West Java and Indonesia, but also from abroad. He had been an amazing lecturer at the International Institute De La Marionnete in Charleville France. From the institute he earned his professorship.
The conclusion of the above article is Sundanese art, especially wayang golek has wealth in terms of creativity and intrinsic elements, as the Indonesian people should be proud of his art wealth, especially in the Sundanese tribe with a remarkable art. Stay guard and preserve the local arts because that's the cirikhas that make us different from each other.
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